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Chicago Book Review IS NOT Chicago Review of Books

CBR_Logo2I don’t know why Chicago Review of Books chose a name so similar to ours when they launched a year ago, more than two years after Chicago Book Review began publishing, but they did. And so there’s been a lot of confusion since then, primarily on Twitter.

Now, however, since Chicago Review of Books decided that they would not review any Simon & Schuster titles in light of that house’s decision to publish Milo Yiannopoulos’s forthcoming book, we here at Chicago Book Review have been catching a lot of shit.

WE ARE NOT THE SAME PUBLICATIONS.
WE ARE NOT RELATED IN ANY WAY WHATSOEVER.

If you’d like to complain about or harass Chicago Review of Books, you can find them at https://chireviewofbooks.com
You can email them at chireviewofbooks@gmail.com
You can tweet at them at @bookschicago

We here at Chicago Book Review have been on an unintended hiatus since July due to an accident suffered by the publisher and founder of CBR. In addition, we only review books that have some kind of direct connection to Chicago and/or the Midwest, so the Yiannopolous thing isn’t really a thing with us. Furthermore, we have made no statements whatsoever regarding Yiannopolous or Simon & Schuster, and we have no intention of doing so.

If you want to freak out over this issue, please direct your freakishness to Chicago Review of Books and not to us here at Chicago Book Review.

Thank you.

—Kelli Christiansen
Publisher/Founder
Chicago Book Review

 

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5 Questions for … Kathleen Rooney

CBR_Logo2Our 5 Questions for … series continues today with an echat with local author Kathleen Rooney, whose novel O, Democracy! was one of CBR’s Best Books of 2014. Her second novel, Lillian Boxfish Takes a Walk, will be published by St. Martin’s Press in January 2017. In addition to her work as a writer, Kathleen is the founding editor of local house Rose Metal Press. Founded in 2006, Rose Metal Press, Inc. is an independent, not-for-profit publisher of hybrid genres specializing in the publication of short short, flash, and micro-fiction; prose poetry; novels-in-verse or book-length linked narrative poems; and other literary works that move beyond the traditional genres of poetry, fiction, and essay to find new forms of expression. We asked Kathleen what she’s working on, what she’s been reading lately, and what’s coming up next for her.

o democracy rooney coverCBR: What new writing projects are you working on right now?
KR: Presently, I’m working with my co-editor, Eric Plattner, to put the finishing touches on René Magritte: Selected Writings, the first-ever English edition of the Belgian Surrealist painter’s extensive writings, forthcoming later this summer from Alma Books in the UK and in September of this year from University of Minnesota Press. I’m also working on wrapping up my second novel, Lillian Boxfish Takes a Walk, forthcoming from St. Martin’s Press.

CBR: Who are some of your favorite writers?
KR: A couple of new (to me) writers whose books I read recently and can’t stop thinking about are Don Mee Choi, whose Hardly War is a hybrid and brilliant memoir in poems/poetic memoir with photographs, and Shannon Burns, whose debut poetry collection, Oosh Boosh, made me laugh out loud and also cry.

CBR: What are you reading right now?
KR: My spouse, Martin Seay, and I are in a book club, and that book club is really supportive of both of us as writers, so we’re currently reading his debut novel, The Mirror Thief (Melville House, 2016), as our current pick. I’ve read it before in manuscript form, but it’s fun to read it now that it’s an actual close-to-600-page book.

CBR: Which books are on your to-read list?
KR: I can’t wait to read Mickey by Chelsea Martin, forthcoming from local Chicago publisher Curbside Splendor, and Listen to Me by Hannah Pittard, forthcoming in July.

CBR: If you could write one book about any topic—fiction or nonfiction—what would that book be?
KR:
Pigeons—and I’m actually working on a novel now that is partly in the first-person perspective of a pigeon.

magKathleen Rooney is a founding editor of Rose Metal Press, a publisher of literary work in hybrid genres, and a founding member of Poems While You Wait, a team of poets and their typewriters who compose commissioned poetry on demand. She teaches English and Creative Writing at DePaul University and is the author of eight books of poetry, nonfiction, and fiction, including the novel O, Democracy! (Fifth Star Press, 2014) and the novel in poems Robinson Alone (Gold Wake Press, 2012). With Eric Plattner, she is the co-editor of René Magritte: Selected Writings (University of Minnesota Press, 2016 and Alma Books, 2016). A winner of a Ruth Lilly Fellowship from Poetry magazine, her reviews and criticism have appeared in the New York Times Book Review, The Chicago Tribune, The New York Times Magazine, The Rumpus, The Nation, the Poetry Foundation website, and elsewhere. She lives in Chicago with her spouse, the writer Martin Seay. Her second novel, Lillian Boxfish Takes a Walk, will be published by St. Martin’s Press in January 2017.You can learn more about Kathleen and her work at http://kathleenrooney.com/

—Kelli Christiansen

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5 Questions for … Ray E. Boomhower

CBR_Logo2Today at Chicago Book Review, we continue our “5 Questions for …” series with our echat with Ray Boomhower, whose work has included biographies of such figures as Gus Grissom, Ernie Pyle, Lew Wallace, Juliet Strauss, and May Wright Sewall. The Indiana historian recently accepted the top prize in the biography/memoir category from Society of Midland Authors for his book John Bartlow Martin: A Voice for the Underdog. We asked Ray what he’s working on, what he’s been reading lately, and what might be next for him.

boomhowerCBR: What new writing projects are you working on right now?
REB:
I am currently deep into writing a book for Indiana University Press on the World War II writing of Robert L. Sherrod, a war correspondent for Time and Life magazine. What Ernie Pyle did for his reporting for the average GI during the war, Sherrod did for the those who served with the U.S. Marine Corps, who suffered and persevered in the horrific engagements at Tarawa, Saipan, Iwo Jima, and Okinawa. In his writing, Sherrod strove not to present complete stories, leaving that task to historians, but to write what he saw, heard, and felt during a battle, thereby reflecting the “mood of the men in battle” and how they appeared, talked, and fought. Washington Post reporter Richard Harwood observed upon Sherrod’s death in 1994 that as a war correspondent the man from Georgia produced “some of the most vivid accounts of men at war ever produced by an American journalist.”

Sherrod also produced two classic books on his wartime experiences—Tarawa: The Story of a Battle (1944) and On to Westward: War in the Central Pacific (1945). As Sherrod, a former Washington, DC, correspondent for Time, noted, “I can think of nothing less interesting than sitting out the war in Washington. There is too much history being written where men are dying.”

CBR: Who are some of your favorite writers?
REB:
My taste in authors and genres has changed over the years. Like many ex-reporters, I grew up reading the stories and novels of Ernest Hemingway, admiring his spare prose. Because I now write mainly biography and nonfiction, my preferred writers are those who also work or have worked in narrative, including John McPhee, Robert Caro, Barbara Tuchman, and William Manchester.

CBR: What are you reading right now?
REB:
Immersed as I am with my Sherrod book, I have little time at the moment to read about anything but what might help with that project, including several books on the history of the war in the Pacific, especially Peter Schrijvers’s incredible The GI War against Japan: American Soldiers in Asia and the Pacific During World War II—a must for any historian of the war. For inspiration when I find myself lagging, I have turned recently to Scott Donaldson’s The Impossible Craft: Literary Biography, comforting myself that at least I don’t have to contend with the problems he encountered in writing a biography of John Cheever.

CBR: Which books are on your to-read list?
REB:
Books coming my way as part of my Sherrod research include James L. Baughman’s Henry Luce and the Rise of the American News Media and the autobiography of writer and Fortune magazine editor Eric Hodgins. I also look forward to reading Robert Gottlieb’s Avid Reader: A Life, especially his relationships as the editor of a host of famous authors.

CBR: If you could write one book about any topic—fiction or nonfiction—what would that book be?
REB:
I have taken to heart David McCullough’s tip that biographers should select as their subjects people they are going to enjoy spending time with, as these projects can sometimes take years, or even decades, to complete. With that advice in mind, I gravitate toward people I have a shared experience with, either through an interest I have on a particular subject (World War II, for example) or a profession we might share (journalism). I would love to have the time to do a biography of Richard Rovere, the American political journalist and the writer for so many years of the “Letter from Washington” column for The New Yorker.

underdog boomhowerRay E. Boomhower is senior editor of the Indiana Historical Society’s quarterly popular history magazine, Traces of Indiana and Midwestern History. Along with numerous articles for Traces, The Indiana Magazine of History, Outdoor Indiana, and other history periodicals, Boomhower is the author of several books, including John Bartlow Martin: A Voice for the Underdog (Indiana University Press, 2015), Robert F. Kennedy and the 1968 Indiana Primary (Indiana University Press, 2008), and Fighting for Equality: A Life of May Wright Sewall (IHS Press, 2007. In 2010, he was named as the winner of the Eugene and Marilyn Glick Indiana Authors Award in the regional category.

Learn more about author and historian Ray E. Boomhower at http://rayboomhower.blogspot.com/

—Kelli Christiansen

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