by Larry Kanfer and Alaina Kanfer
Award-winning photographic artist Larry Kanfer’s colorful photographs glow in nearly three-dimensional relief in his new book, Chicagoscapes, a collection of images of our fair city.
Kanfer, who earned a degree in architecture from University of Illinois at Urbana–Champaign, has teamed up with Alaina Kanfer to assemble a fine collection here, images that capture slices of the city from north to south. Readers will find images of iconic Chicago attractions, from Navy Pier to North Avenue Beach, from the Art Institute of Chicago to the Field Museum, from The Berghoff to The Wiener’s Circle. (Unfortunately, many readers won’t know what they’re looking at because there is a dearth of caption information. A list of illustrations at the back of the book provides some details, but many of the descriptions are merely catchy phrases rather than helpful information.)
More than a hundred photographs are in these pages, a slim volume fit for giftgiving or the coffee table. Some of the images show the expanse of the city in impactful two-page spreads, some encourage the reader to look more closely, diving in to an array of smaller images assembled on a single page.
Kanfer has captured the city in a unique way, focusing his lens on familiar sites but revealing them in a new light. Although the images are lovely, it’s the colors and post-production techniques in them that captivate. Kanfer often uses soft focus to draw the reader’s eye to particular details: a column of balconies on one of the city’s residential high-rises, a bunch of skaters on the ice at Millennium Park. Many of the images focus tightly on details, rendering a common site abstract. Bridges, “L” staircases, and the Marina City parking levels become a collection of color and light and shadow and lines and angles. As such, Chicagoscapes is atmospheric and moody—quiet somehow despite the fact that Kanfer has photographed one of the busiest cities in the world.
Indeed there’s something almost anathema about this collection when one contrasts this subtle quietness with the verve that is Chicago. In his short introduction to the book, “Our Chicago,” Kanfer writes about the “big city, with all its noise, hustle, and bustle,” and, yet, many of the images were clearly taken at odd hours, rendering Chicago something of a ghost town devoid of people and traffic. For instance, an image of Devon Avenue appears to have been taken very early in the morning: Only one car prowls the street—a street usually so packed with cars and pedestrians that it can take forever to drive just a few blocks in either direction. An “L” stop reveals no one waiting for a train. A lone little boy playing at the Crown Fountain in Millennium Park belies the fact that the area is usually jam-packed with children and adults all summer long. Plenty of images do, though, capture areas of the city full of people—beaches, parks, the lakefront trail. Even so, the Chicago in these pages feels quiet. Sleepy. Dreamy.
While some readers will find these images moody and magical, photography purists might well rankle at the post-production techniques used here. Some of the images are rendered in such a way as to appear as illustrations or paintings. One image in these pages has been pointillated à la Georges Seurat; it’s a beautiful, interesting look at the city, but it’s also a bit jarring as it is the only such doctored image in the collection.
Kanfer’s approach isn’t so much photojournalism as it is art photography. Most of the images here capture the beauty of the city, the pretty parts. Even a photograph of a graffiti-covered wall is colorful and artsy rather than gritty and edgy. A handful of black-and-white photographs grace these pages, but those that do are innocuous and safe. Readers will find no images here of the gritty South or West sides, no images of street upon street of foreclosed houses, no photographic insight into run-down CHA projects.
But that’s not what this book is about. Chicagoscapes is a love letter to what is magical and romantic about the Windy City. Kanfer has in these pages captured this beautiful city through atmospheric lighting, interesting angles, intriguing composition, and great timing. Although some readers might find some of the images a little snapshot-y or postcard-y, Chicagoscapes is full of great moments in a great city.
October 2014, University of Illinois Press
$34.95, hardcover, 128 pages
—Reviewed by Kelli Christiansen
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